JAMIE BARBOR – DRAWINGS, PAINTING & PRINT
TO BUY THESE & ADD TO YOUR COLLECTION – TEL: 01377 236008
or email: mail@duckettandjeffreys.com
PAINTINGS

- JAMIE BARBOR – Dominant Figure, Oil on Board 40×30cm. – PRICE £300 Framed

- JAMIE BARBOR – Woodland Past, Oil on Board 40×30cm PRICE – £300 framed

- JAMIE BARBOR – Stretching Arm, Oil on Board 40×30cm PRICE – £300 framed
SOLD

- JAMIE BARBOR – Constant, Oil on Board, 40×30cm, – PRICE £300.00 framed

- JAMIE BARBOR – Figure, 1. Oil on Canvas, 84 x 76cm – Price £400.00 Framed
SOLD

- JAMIE BARBOR – Mitre, Oil on Board, 40 x 30cm, – PRICE £300.00 Framed

- JAMIE BARBOR – Standing. Form in Stance, Oil on Board, 76 x 71 cm – PRICE £450.00 Framed

- JAMIE BARBOR – The Hoarder, Oil on Board, 40×30cm, – PRICE £300.00 Framed
SOLD

JAMIE BARBOR - Theatre, Oil on Board, 40cm x 30cm, - PRICE £300.00 Framed

JAMIE BARBOR - Transience. Transient Form, Oil on Canvas, - PRICE £450.00 Frame
DRAWINGS

JAMIE BARBOR - Untitled 3, Charcoal on Paper 38cm x 26cm - PRICE £150 Framed

JAMIE BARBOR - untitled 4, Charcoal on Paper 43cm x 35cm - PRICE £175 Framed
SOLD
TO BUY THESE & ADD TO YOUR COLLECTION – TEL: 01377 236008
or email: mail@duckettandjeffreys.com
MONOPRINTS

JAMIE BARBOR - Moving Form, Monoprint 13cm x 10cm - PRICE £195 Framed

JAMIE BARBOR - Column, Monoprint 15cm x 10cm PRICE - £195 Framed

JAMIE BARBOR - Interior of Room, Monoprint 15cm x 10cmm PRICE - £195 Framed

JAMIE BARBOR - Post, Monoprint 13cm x 10cm PRICE - £195 Framed
TO BUY THESE & ADD TO YOUR COLLECTION – TEL: 01377 236008
or email: mail@duckettandjeffreys.com
DRAWINGS

JAMIE BARBOR - untitled 1, Charcoal on Paper 38cm x 26cm PRICE - £150 Framed

JAMIE BARBOR - untitled 2, Charcoal on Paper 38cm x 26cm PRICE - £150 Framed

JAMIE BARBOR - Untitled 3, Charcoal on Paper 38cm x 26cm PRICE - £150 Framed
TO BUY THESE & ADD TO YOUR COLLECTION – TEL: 01377 236008
or email: mail@duckettandjeffreys.com
ARTIST STATEMENT
My work is an exploration into a person’s tussle with contemporary ideals and thoughts, figuring out a reason and purpose. The figures and forms created not only explore the given surrounding they exist in but also confront the lineage of painting that investigates the boundary between figuration and abstraction. The work also express’s the worries and lack of understanding from one person to another, dealing with contemporary concerns and incidents that serve to threaten our individuality and identity, and challenge our most instinctive thoughts and actions.
Underpinning this is a reflection on how restless the state of society is. The work deals with a person’s inability to anchor themselves to any one specific genre or ideal. The figures are autobiographical, some more than others and at times appears to be searching for something, waiting, possibly for reassurance, lacking confidence but eager to explore further. There are more figures playing a role in the imagery but in most cases out of view, a strong communication between them is obvious but without seeing them the viewer helps out in translation.
Through painting, drawing and printing these concerns and ideas are explored and challenged. Reworking, dismissing and embracing incidents in the process the imagery evolves with intuition and expression with no design or plan of how it will appear when finished. The work will begin by just applying the medium and responding to those initial marks. Using a limited palette the paint or ink will be moved around, added to, and discarded until the imagery feels complete. A constant challenging of the amount of content needed and the arrangement of information required to communicate is always apparent in the work.
The environment created in most cases has no obvious features leaving the suggestion to the viewer without attracting obvious connotations. The context still very important but creating a mood rather than a place. The suggestion of gender less figures reinforces the sensibility of unrest and in many cases this creates a new cultural meaning for the form.
When finished the imagery makes its own sense or reason for existence. This reason provokes so much excitement and demands energy and time from the viewer posing the question of the hold iconography has on us now and in history. This highlights the importance of the relationship between artist and medium and the role ‘response’ has in creating art. The medium in many ways is using the artist to develop as it seems fit.
TO BUY THESE & ADD TO YOUR COLLECTION – TEL: 01377 236008
or email: mail@duckettandjeffreys.com
JAMIE BARBOR – DRAWINGS, PAINTING & PRINT
TO BUY THESE & ADD TO YOUR COLLECTION – TEL: 01377 236008
or email: mail@duckettandjeffreys.com
TO BUY THESE & ADD TO YOUR COLLECTION – TEL: 01377 236008
or email: mail@duckettandjeffreys.com
PAINTINGS

- JAMIE BARBOR – Dominant Figure, Oil on Board 40×30cm. – PRICE £300 Framed

- JAMIE BARBOR – Woodland Past, Oil on Board 40×30cm PRICE – £300 framed

- JAMIE BARBOR – Stretching Arm, Oil on Board 40×30cm PRICE – £300 framed
SOLD

- JAMIE BARBOR – Constant, Oil on Board, 40×30cm, – PRICE £300.00 framed

- JAMIE BARBOR – Figure, 1. Oil on Canvas, 84 x 76cm – Price £400.00 Framed
SOLD

- JAMIE BARBOR – Mitre, Oil on Board, 40 x 30cm, – PRICE £300.00 Framed

- JAMIE BARBOR – Standing. Form in Stance, Oil on Board, 76 x 71 cm – PRICE £450.00 Framed

- JAMIE BARBOR – The Hoarder, Oil on Board, 40×30cm, – PRICE £300.00 Framed
SOLD

JAMIE BARBOR - Theatre, Oil on Board, 40cm x 30cm, - PRICE £300.00 Framed

JAMIE BARBOR - Transience. Transient Form, Oil on Canvas, - PRICE £450.00 Frame
DRAWINGS

JAMIE BARBOR - Untitled 3, Charcoal on Paper 38cm x 26cm - PRICE £150 Framed

JAMIE BARBOR - untitled 4, Charcoal on Paper 43cm x 35cm - PRICE £175 Framed
SOLD
TO BUY THESE & ADD TO YOUR COLLECTION – TEL: 01377 236008
or email: mail@duckettandjeffreys.com
MONOPRINTS

JAMIE BARBOR - Moving Form, Monoprint 13cm x 10cm - PRICE £195 Framed

JAMIE BARBOR - Column, Monoprint 15cm x 10cm PRICE - £195 Framed

JAMIE BARBOR - Interior of Room, Monoprint 15cm x 10cmm PRICE - £195 Framed

JAMIE BARBOR - Post, Monoprint 13cm x 10cm PRICE - £195 Framed
TO BUY THESE & ADD TO YOUR COLLECTION – TEL: 01377 236008
or email: mail@duckettandjeffreys.com
DRAWINGS

JAMIE BARBOR - untitled 1, Charcoal on Paper 38cm x 26cm PRICE - £150 Framed

JAMIE BARBOR - untitled 2, Charcoal on Paper 38cm x 26cm PRICE - £150 Framed

JAMIE BARBOR - Untitled 3, Charcoal on Paper 38cm x 26cm PRICE - £150 Framed
TO BUY THESE & ADD TO YOUR COLLECTION – TEL: 01377 236008
or email: mail@duckettandjeffreys.com
ARTIST STATEMENT
My work is an exploration into a person’s tussle with contemporary ideals and thoughts, figuring out a reason and purpose. The figures and forms created not only explore the given surrounding they exist in but also confront the lineage of painting that investigates the boundary between figuration and abstraction. The work also express’s the worries and lack of understanding from one person to another, dealing with contemporary concerns and incidents that serve to threaten our individuality and identity, and challenge our most instinctive thoughts and actions.
Underpinning this is a reflection on how restless the state of society is. The work deals with a person’s inability to anchor themselves to any one specific genre or ideal. The figures are autobiographical, some more than others and at times appears to be searching for something, waiting, possibly for reassurance, lacking confidence but eager to explore further. There are more figures playing a role in the imagery but in most cases out of view, a strong communication between them is obvious but without seeing them the viewer helps out in translation.
Through painting, drawing and printing these concerns and ideas are explored and challenged. Reworking, dismissing and embracing incidents in the process the imagery evolves with intuition and expression with no design or plan of how it will appear when finished. The work will begin by just applying the medium and responding to those initial marks. Using a limited palette the paint or ink will be moved around, added to, and discarded until the imagery feels complete. A constant challenging of the amount of content needed and the arrangement of information required to communicate is always apparent in the work.
The environment created in most cases has no obvious features leaving the suggestion to the viewer without attracting obvious connotations. The context still very important but creating a mood rather than a place. The suggestion of gender less figures reinforces the sensibility of unrest and in many cases this creates a new cultural meaning for the form.
When finished the imagery makes its own sense or reason for existence. This reason provokes so much excitement and demands energy and time from the viewer posing the question of the hold iconography has on us now and in history. This highlights the importance of the relationship between artist and medium and the role ‘response’ has in creating art. The medium in many ways is using the artist to develop as it seems fit.
TO BUY THESE & ADD TO YOUR COLLECTION – TEL: 01377 236008
or email: mail@duckettandjeffreys.com

- JAMIE BARBOR – Woodland Past, Oil on Board 40×30cm PRICE – £300 framed

- JAMIE BARBOR – Stretching Arm, Oil on Board 40×30cm PRICE – £300 framed

- JAMIE BARBOR – Constant, Oil on Board, 40×30cm, – PRICE £300.00 framed

- JAMIE BARBOR – Figure, 1. Oil on Canvas, 84 x 76cm – Price £400.00 Framed

- JAMIE BARBOR – Mitre, Oil on Board, 40 x 30cm, – PRICE £300.00 Framed

- JAMIE BARBOR – Standing. Form in Stance, Oil on Board, 76 x 71 cm – PRICE £450.00 Framed

- JAMIE BARBOR – The Hoarder, Oil on Board, 40×30cm, – PRICE £300.00 Framed

JAMIE BARBOR - Theatre, Oil on Board, 40cm x 30cm, - PRICE £300.00 Framed

JAMIE BARBOR - Transience. Transient Form, Oil on Canvas, - PRICE £450.00 Frame

JAMIE BARBOR - Untitled 3, Charcoal on Paper 38cm x 26cm - PRICE £150 Framed

JAMIE BARBOR - untitled 4, Charcoal on Paper 43cm x 35cm - PRICE £175 Framed
TO BUY THESE & ADD TO YOUR COLLECTION – TEL: 01377 236008
or email: mail@duckettandjeffreys.com
MONOPRINTS

JAMIE BARBOR - Moving Form, Monoprint 13cm x 10cm - PRICE £195 Framed

JAMIE BARBOR - Column, Monoprint 15cm x 10cm PRICE - £195 Framed

JAMIE BARBOR - Interior of Room, Monoprint 15cm x 10cmm PRICE - £195 Framed

JAMIE BARBOR - Post, Monoprint 13cm x 10cm PRICE - £195 Framed
TO BUY THESE & ADD TO YOUR COLLECTION – TEL: 01377 236008
or email: mail@duckettandjeffreys.com
or email: mail@duckettandjeffreys.com
DRAWINGS

JAMIE BARBOR - untitled 1, Charcoal on Paper 38cm x 26cm PRICE - £150 Framed

JAMIE BARBOR - untitled 2, Charcoal on Paper 38cm x 26cm PRICE - £150 Framed

JAMIE BARBOR - Untitled 3, Charcoal on Paper 38cm x 26cm PRICE - £150 Framed
TO BUY THESE & ADD TO YOUR COLLECTION – TEL: 01377 236008
or email: mail@duckettandjeffreys.com
ARTIST STATEMENT
My work is an exploration into a person’s tussle with contemporary ideals and thoughts, figuring out a reason and purpose. The figures and forms created not only explore the given surrounding they exist in but also confront the lineage of painting that investigates the boundary between figuration and abstraction. The work also express’s the worries and lack of understanding from one person to another, dealing with contemporary concerns and incidents that serve to threaten our individuality and identity, and challenge our most instinctive thoughts and actions.
Underpinning this is a reflection on how restless the state of society is. The work deals with a person’s inability to anchor themselves to any one specific genre or ideal. The figures are autobiographical, some more than others and at times appears to be searching for something, waiting, possibly for reassurance, lacking confidence but eager to explore further. There are more figures playing a role in the imagery but in most cases out of view, a strong communication between them is obvious but without seeing them the viewer helps out in translation.
Through painting, drawing and printing these concerns and ideas are explored and challenged. Reworking, dismissing and embracing incidents in the process the imagery evolves with intuition and expression with no design or plan of how it will appear when finished. The work will begin by just applying the medium and responding to those initial marks. Using a limited palette the paint or ink will be moved around, added to, and discarded until the imagery feels complete. A constant challenging of the amount of content needed and the arrangement of information required to communicate is always apparent in the work.
The environment created in most cases has no obvious features leaving the suggestion to the viewer without attracting obvious connotations. The context still very important but creating a mood rather than a place. The suggestion of gender less figures reinforces the sensibility of unrest and in many cases this creates a new cultural meaning for the form.
When finished the imagery makes its own sense or reason for existence. This reason provokes so much excitement and demands energy and time from the viewer posing the question of the hold iconography has on us now and in history. This highlights the importance of the relationship between artist and medium and the role ‘response’ has in creating art. The medium in many ways is using the artist to develop as it seems fit.
TO BUY THESE & ADD TO YOUR COLLECTION – TEL: 01377 236008
or email: mail@duckettandjeffreys.com

JAMIE BARBOR - untitled 1, Charcoal on Paper 38cm x 26cm PRICE - £150 Framed

JAMIE BARBOR - untitled 2, Charcoal on Paper 38cm x 26cm PRICE - £150 Framed

JAMIE BARBOR - Untitled 3, Charcoal on Paper 38cm x 26cm PRICE - £150 Framed
TO BUY THESE & ADD TO YOUR COLLECTION – TEL: 01377 236008
or email: mail@duckettandjeffreys.com
ARTIST STATEMENT
My work is an exploration into a person’s tussle with contemporary ideals and thoughts, figuring out a reason and purpose. The figures and forms created not only explore the given surrounding they exist in but also confront the lineage of painting that investigates the boundary between figuration and abstraction. The work also express’s the worries and lack of understanding from one person to another, dealing with contemporary concerns and incidents that serve to threaten our individuality and identity, and challenge our most instinctive thoughts and actions.
Underpinning this is a reflection on how restless the state of society is. The work deals with a person’s inability to anchor themselves to any one specific genre or ideal. The figures are autobiographical, some more than others and at times appears to be searching for something, waiting, possibly for reassurance, lacking confidence but eager to explore further. There are more figures playing a role in the imagery but in most cases out of view, a strong communication between them is obvious but without seeing them the viewer helps out in translation.
Through painting, drawing and printing these concerns and ideas are explored and challenged. Reworking, dismissing and embracing incidents in the process the imagery evolves with intuition and expression with no design or plan of how it will appear when finished. The work will begin by just applying the medium and responding to those initial marks. Using a limited palette the paint or ink will be moved around, added to, and discarded until the imagery feels complete. A constant challenging of the amount of content needed and the arrangement of information required to communicate is always apparent in the work.
The environment created in most cases has no obvious features leaving the suggestion to the viewer without attracting obvious connotations. The context still very important but creating a mood rather than a place. The suggestion of gender less figures reinforces the sensibility of unrest and in many cases this creates a new cultural meaning for the form.
When finished the imagery makes its own sense or reason for existence. This reason provokes so much excitement and demands energy and time from the viewer posing the question of the hold iconography has on us now and in history. This highlights the importance of the relationship between artist and medium and the role ‘response’ has in creating art. The medium in many ways is using the artist to develop as it seems fit.
TO BUY THESE & ADD TO YOUR COLLECTION – TEL: 01377 236008
or email: mail@duckettandjeffreys.com
Through painting, drawing and printing these concerns and ideas are explored and challenged. Reworking, dismissing and embracing incidents in the process the imagery evolves with intuition and expression with no design or plan of how it will appear when finished. The work will begin by just applying the medium and responding to those initial marks. Using a limited palette the paint or ink will be moved around, added to, and discarded until the imagery feels complete. A constant challenging of the amount of content needed and the arrangement of information required to communicate is always apparent in the work.
When finished the imagery makes its own sense or reason for existence. This reason provokes so much excitement and demands energy and time from the viewer posing the question of the hold iconography has on us now and in history. This highlights the importance of the relationship between artist and medium and the role ‘response’ has in creating art. The medium in many ways is using the artist to develop as it seems fit.
TO BUY THESE & ADD TO YOUR COLLECTION – TEL: 01377 236008
or email: mail@duckettandjeffreys.com